The thief fell from the tower’s upper window. She had lost her precarious grip on the pitted brick. She remembered that she should roll herself up into a loose ball to protect her head and neck. But by the time she remembered, she had already struck the first branch of the tree in the orchard below. Then she struck another and another. Scratched and thrashed and bounced about, she finally reached the ground, thankful that the soil was soft. She lay there for far too long a moment. The breath had been knocked out of her. And she feared moving for fear she might discover that she could not.
When I was born, a clever mage, who was also my mother, made for me a triptych: three panels, attached in a row by hinges, depicting paintings of our home. The middle panel depicted our capital city, where we lived. The left panel depicted my mother, her hands raised as if in the casting of a spell. The right panel depicted the Arx, the great tower of knowledge where mages learned their trade. The flanking panels were each half the width of the middle one, so they could be folded inward, and the image could be hidden. And strangely, my mother had built a lock into the triptych. Once folded, the triptych could be secured. I did not know why it would need to be locked. There were no secret or blasphemous things depicted in the paintings, as far as I knew.
The starry-eyed youth named Carson cast his gaze at the full moon. His father had just cursed it, or rather, he had cursed those who dwelt upon it.
“A storm is coming,” his father said, gazing up at the low and looming clouds. “A storm with high winds.”
Yet another storm, the fourth one in as many days.
“Soon it will storm day and night,” his father said. And then he raised a fist to the full bright moon and shook it.
When buds are twisted too tightly, they will never bloom beautifully, my grandmother always said, all the more so after she’d witness my staying in my little corner of the room at a party in our house while the other children played with each other. But she did not know that I was surrounded by friends in my own world, in Castle Farouche.
Rare are they who can by their very presence bring about the emergence of the fantastic from the most common of things and the most mundane of people.
So rare indeed, that most towns only had one such person, only one whose speech inspired the emergence of energy from lethargy, whose gaze transformed ugliness to beauty, and whose touch could change a blunder into a wonder.
Feodora was one such person.
A person known throughout the realm as a fantasticator.
This week’s story will be posted soon. This is the anniversary post for Storyfeather’s fifth year!
The Year of S.T.E.A.M. is done! That was the theme for Storyfeather Year Five. Science. Technology. Engineering. Arts. Mathematics. Year Five’s stories aimed to center around one of the aforementioned elements. It was quite the challenge.
Also a challenge, keeping the bar for the artwork as high as I could manage after the visual upgrade the site received in Year Four.
Thank you to everyone who read even a single story. And if you liked or commented, thank you again. Thank you for your time and interest, and for being a part of Storyfeather, especially Year Five.
A lot happened in the fifth year stories. A cast and crew of middle school students put on an original play about cosmic heroes and deadly aliens. A malfunctioning beauty product gave whole new meaning to the term “vanishing cream.” An explorer got lost in a spatiotemporal anomaly that was once the treasure vault of an alien pirate. And a woman started turning into a cartoon…
I’ve written over 250 stories now. And I’ve produced 52 podcast episodes (one for each story from Year One). Year Five was a (sometimes delirious) struggle, but well worth it. Storytelling is still my true love, still my destiny, still my path.
Year Six is on the horizon. Here’s to seeing what stories will brew. I hope you’ll come along.
I have stories to tell you.
On a bright spring day, a group of young academicians gathered at the banks of the river to challenge each other’s skills and provide a spectacle to whomever had the patience and the interest to stand by and watch. The day before, it was the naturalists who were testing themselves. But on that day, the architects had gathered, and their challenge was to build a tower of stones and pebbles, gathered from the banks or within the river itself, for it flowed softly where they had chosen to hold their contest.
King Tertius believed the number three was tied to his destiny. He was one of three brothers. He was the youngest, and by the laws of succession, he should not have become king.
Does the flower remember who built it? Is it trying to tell me? Is that why I’ve kept having these dreams whenever I consumed the formula?
The dreams of the man who made the flower?
This week’s story will be posted soon. This is the anniversary post for Storyfeather’s fourth year.
The Year of Creatures is done! That was the theme for Storyfeather Year Four (except for some straggler stories where I might have forgotten).
A huge and hearty thank you to Sanjay Patel for providing the artwork for every single story in Year Four. It was a true collaboration of storytelling. He sent me the art, then I wrote the story around it. It was challenging to write stories on topics I might not otherwise have written. It was humbling to try and write a story that did the art justice. And it was exciting to see the site looking so vibrant and badass.
Displayed above are some of my favorite images.
Thank you to everyone who read even a single story. And if you liked or commented, thank you again. Thank you for your time and interest, and for being a part of Storyfeather, especially Year Four.
I’ve written over 200 stories now. And I launched the Storyfeather podcast in October.
No one asked for these stories. No one assigned me to write them. And though I hoped to earn rewards someday if I kept at it, no one promised me any great reward (or even any small reward). I started because I have believed since I was very young that writing is my destiny. And every time I put pen to paper, or fingertips to keyboard, I feel, from within, the truth of that sentiment. Regardless of however a story comes out, each one proves to me that writing is part of who I am. And I’ve come to realize something else.
I’ve been doing this for four years, and I will keep doing it. That’s not just destiny. That’s love. And it’s not just any love.
That’s true love.
A lot happened in the fourth year stories. Researchers discovered something huge, ancient, and possibly mythical stirring under the Arctic permafrost. An astronaut opened a mysterious pod from an alien race that had been sending messages to humanity for centuries. An ordinary man gathered extraordinary allies to face a dragon and save his beloved. And a troubadour sang the fantastical story of how his kind came to be…
Here’s to seeing what Year Five brings. I hope you’ll come along.
I have stories to tell you.